David Yarrow Scottish, b. 1966
Lakota, 2021
Archival pigment print
Available in 2 sizes:
Standard - 52 x 68 inches
Large - 71 x 95 inches
Standard - 52 x 68 inches
Large - 71 x 95 inches
Edition of 12 plus 3 artist's proofs
Signed, editioned and dated on the bottom recto
Montana, USA - 2020 My default position is always to glorify the subject - I am at heart a romanticist. Chief John Spotted Tail of the Lakota is not a...
Montana, USA - 2020
My default position is always to glorify the subject - I am at heart a romanticist. Chief John Spotted Tail of the Lakota is not a hard subject to work with as much of the glorification is a given, bit we still needed the right horse, the right light and the right landscape.
We worked together initially in Wyoming, but I always wanted to photograph him in Montana too. The valley running south of Ennis to West Yellowstone offers stunning visuals and that was our focus. We determined the best light to be first thing in the morning and if we shot into the light looking east towards Big Sky, I knew we could have a strong frame.
Images shot directly against the light need a full tonal range and much of the credit for bringing out the shadow detail must go to my editing partners in Los Angeles. They and Chief John take the credit for this powerful photograph.
My default position is always to glorify the subject - I am at heart a romanticist. Chief John Spotted Tail of the Lakota is not a hard subject to work with as much of the glorification is a given, bit we still needed the right horse, the right light and the right landscape.
We worked together initially in Wyoming, but I always wanted to photograph him in Montana too. The valley running south of Ennis to West Yellowstone offers stunning visuals and that was our focus. We determined the best light to be first thing in the morning and if we shot into the light looking east towards Big Sky, I knew we could have a strong frame.
Images shot directly against the light need a full tonal range and much of the credit for bringing out the shadow detail must go to my editing partners in Los Angeles. They and Chief John take the credit for this powerful photograph.