David Yarrow Scottish, b. 1966
Goodfellas, 2019
Archival Pigment Print
Available in 2 sizes:
Standard - 52 x 77 inches
Large - 71 x 109 inches
Standard - 52 x 77 inches
Large - 71 x 109 inches
Edition of 12 plus 3 artist's proofs
Signed, editioned and dated on the bottom recto
Chicago, USA - 2019 Like so many, I have long been drawn to gangster films - and the director Martin Scorsese is one of my great inspirations. Chicago is the...
Chicago, USA - 2019
Like so many, I have long been drawn to gangster films - and the director Martin Scorsese is one of my great inspirations. Chicago is the home of the mobster and I was determined to capture the mood of the Al Capone and Prohibition era in a single frame. To my mind this demanded a location canvas that could substantiate the narrative. I homed in on the old Italian Neighbourhood in Chicago - where thousands of Italians used to live in the 1920s and 1930s. Around 24th street and Oakley, it was a tight knit community with roots in Tuscan towns such as Lucca.
On an intersection on 24th Street there is a well-known Italian restaurant - Bruna’s, that was around at the time of Al Capone. Bruna - an Italian lady - owned the joint for many years and allegedly had fatally knifed a couple of customers during her tenure. Her portrait still holds court in the dining area.
I visited on the premise of being hungry and I knew immediately there was potential. The current owner - Luciano from Siena - was willing to cooperate so long as some cash changed hands and he could be an extra in the image. Both requests seemed reasonable, besides historical precedent suggests that this was no place to argue with the patrons.
The casting couch was entertaining as it was difficult to distinguish between those who were acting and those who were the real deal. I could only vouch for two of them - Luciano, on the far left of the photograph and Josie Canseco, who played her role brilliantly as she always does. The formation worked to the side of the bar - what a bunch.
After the shoot was wrapped, one of the mobsters - going by the name of Donny Greco - brought out his music box and we all sang Frank Sinatra and drank Italian white for an hour. My kinda town, Chicago is.
Like so many, I have long been drawn to gangster films - and the director Martin Scorsese is one of my great inspirations. Chicago is the home of the mobster and I was determined to capture the mood of the Al Capone and Prohibition era in a single frame. To my mind this demanded a location canvas that could substantiate the narrative. I homed in on the old Italian Neighbourhood in Chicago - where thousands of Italians used to live in the 1920s and 1930s. Around 24th street and Oakley, it was a tight knit community with roots in Tuscan towns such as Lucca.
On an intersection on 24th Street there is a well-known Italian restaurant - Bruna’s, that was around at the time of Al Capone. Bruna - an Italian lady - owned the joint for many years and allegedly had fatally knifed a couple of customers during her tenure. Her portrait still holds court in the dining area.
I visited on the premise of being hungry and I knew immediately there was potential. The current owner - Luciano from Siena - was willing to cooperate so long as some cash changed hands and he could be an extra in the image. Both requests seemed reasonable, besides historical precedent suggests that this was no place to argue with the patrons.
The casting couch was entertaining as it was difficult to distinguish between those who were acting and those who were the real deal. I could only vouch for two of them - Luciano, on the far left of the photograph and Josie Canseco, who played her role brilliantly as she always does. The formation worked to the side of the bar - what a bunch.
After the shoot was wrapped, one of the mobsters - going by the name of Donny Greco - brought out his music box and we all sang Frank Sinatra and drank Italian white for an hour. My kinda town, Chicago is.